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At the graduation ceremony on Friday 30th November 2018, Maria Fotiadou will receive her PhD. After achieving a First Class degree in English Language and Literature in the School of Culture in 2014, Maria was awarded a full scholarship by the School which allowed her to pursue research under the supervision of Dr Michael Pearce and Professor Angela Smith . The thesis is a wide-ranging study of the language of careers services as it is represented on UK university websites, with a particular focus on ‘employability’. Combining corpus linguistics and critical discourse analysis, Dr Fotiadou’s research reveals the nature of the discourse surrounding this problematic concept, as shown in an extensive and innovative analysis of repeated patterns of collocation and more extended phraseological clusters in a multi-million-word corpus. Her work is beginning to have an impact in the field of critical linguistics, with a double-length article based on her thesis research appearing in the pres

  Led by the School of Advanced Study, University of London, in partnership with the Arts & Humanities Research Council and the British Academy, Being Human is a national festival promoting public engagement with humanities research. Between 17 and 23 November 2018 , the School of Culture is hosting a series of public talks looking at this year’s theme of ‘Origins and Endings’ through the lens of Sunderland’s local history. The topics range from the Wearside origins of English republicanism to the end of heavy industry in the city. All are free to attend and open to all. Click on the links to find out about these events. The North East Coast, the Sea and its Dangers (Dr Peter Hayes) A Place Fit for Heroes? The End of the First World War in the North East (Dr André Keil) Suffrage and Beyond in Sunderland: The City’s First Female MP  (Dr Sarah Hellawell)   The Lilburne Family and the Origins of English Republicanism (Dr Delphine Doucet)

The latest edition of Codex   has been published. Are you interested in Newcastle's invasion preparations during the Second World War, North East miners and political reform in the 1830s or gender stereotyping and children's language? If so, visit Codex for articles on these topics and more from our class of 2018 graduates in the School of Culture.

A recent piece in the paper reports on Dr Sarah Hellawell's research on the often overlooked role North East students played in the First World War. Read all about it here .

Dr Sarah Hellawell (Lecturer in Modern British History, University of Sunderland) The first School of Culture Research seminar of the academic year will take place on 14th November 2018. Dr. Sarah Hellawell 's paper is entitled ‘A strong international spirit’: the Women’s Co-operative Guild and Interwar Internationalism’. Established in 1883, the English Women’s Co-operative Guild (WCG) was a mass membership association of working-class housewives and mothers. During the First World War, the Guild was an outspoken critic of militarism and maintained an absolutist pacifist response during the interwar years. Internationalist ideals and activities relating to peace, co-operation and the citizenship of women influenced the WCG during the 1920s and 1930s. Yet, the impact of internationalism upon the Guild has previously been overlooked by historians. This paper examines the dynamic between the international, national and local dimensions of the WCG.  The seminar will start at 4 pm in

Professor Angela Smith  has given a paper at the  26th Ross Priory International Seminar on Broadcast Talk 2018 . Entitled 'Slow tv: the mesmerising antidote to political maelstroms', her talk traced the emergence of 'slow TV' as the antithesis of the fast-edited, fast-paced television that has developed as the dominant concept of the medium in the twenty-first century.  More recently, it has been heralded as the antidote to the rise of right-wing populist noise.  Whilst the early cable channels showed ambient images of burning fires or tropic fish tanks, slow tv is slightly more dynamic and deliberately edited to be relaxing as well as informative.  Many of the visual tropes in slow tv come from arthouse cinema, particularly the lingering shots and sense of stillness. Unlike ambient tv, it has a narrative but not all of them have a narrator.  The narrative is sometimes left to the viewer to work out, such as the original slow tv show,  Train Ride: Bergen to Oslo  (2009