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Professor Angela Smith  has given a paper at the  26th Ross Priory International Seminar on Broadcast Talk 2018 . Entitled 'Slow tv: the mesmerising antidote to political maelstroms', her talk traced the emergence of 'slow TV' as the antithesis of the fast-edited, fast-paced television that has developed as the dominant concept of the medium in the twenty-first century.  More recently, it has been heralded as the antidote to the rise of right-wing populist noise.  Whilst the early cable channels showed ambient images of burning fires or tropic fish tanks, slow tv is slightly more dynamic and deliberately edited to be relaxing as well as informative.  Many of the visual tropes in slow tv come from arthouse cinema, particularly the lingering shots and sense of stillness. Unlike ambient tv, it has a narrative but not all of them have a narrator.  The narrative is sometimes left to the viewer to work out, such as the original slow tv show,  Train Ride: Ber...

Replica Viking ships in Catoira, Galicia (Source: Wikipedia) Dr Miguel Gomes has recently spoken at the International Medieval Congress  at the University of Leeds (Europe's largest gathering in the humanities).  In his paper, entitled 'Vikings in Galicia: Popular memory, festivities and traces of the resistance' , Miguel examined Nordic incursions in the northwest of the Iberian peninsular, considering the way in which over two hundred years of Viking activity in Galicia had an impact on the local landscape as recently analysed by H. Pires (2017), and how those changes might have inspired the formation of many local legends, tales, and celebrations which have kept the Viking element alive in the landscape of people’s minds.  

Professor Angela Smith has recently given a paper at the 'Approaches to Discourse' conference at Georgetown University (Washington DC). She spoke on the concept of hypermasculinity, which was first theorised in the early 1980s. At that time masculinity was often perceived as being under threat from the great advances in gender equality made following the arrival of Second Wave Feminism.  Angela argued that in the last five years we have seen a rise in the performance of hypermasculinity on the national stage, often aligned with right wing politics and a heightened sense of national identity in face of a perceived over-reaching of liberalism.  Angela's paper explored how some politicians use social media to promote their messages, side-stepping the otherwise regulating voice of the mainstream media. She looked at tweets from the personal account of Donald Trump to offer an explanation for at least part of the appeal of the ‘Make America...

Professor Angela Smith recently attended the 4th FoodKom Seminar at Queen Margaret University, Edinburgh.   Her paper, 'Tiny Print and Traffic Light Chaos', looked at how European food labelling regulations are applied in the British context to front of packaging.   Angela showed how the non-mandatory nature of the system has led to potentially confusing food labelling, exploring the semiotic properties of the packaging.   She concluded that the lack of standardisation and the non-mandatory nature of the system is often unhelpful and even confusing (particularly to those of declining eye sight), but that it could nevertheless be of use to the knowing consumer and so is of limited help.

Professor Angela Smith has recently given a paper at the 3rd FoodKom International Conference , held in Ljubljana, Slovenia.  Angela considered the recent shift in food communication which has seen a rapid rise of the concept of 'clean eating' as an all-embracing notion of wellness. In the UK, the pioneers of clean eating have recently sought to distance themselves from this controversial area of cooking and lifestyle by rebranding themselves as purveyors of a more generic wellness agenda. Angela showed how the self-appointed clean-eating gurus who write the blogs and cookery books associated with the concept nevertheless seek to persuade us to exclude huge groups of food types and to 'get the glow'.

PhD student Maria Fotiadou has recently given a paper at the 9th International Corpus Linguistics Conference (Birmingham University). Her paper explored the issue of competitiveness in the ‘graduate job market’ and the notion of ‘employability’, as presented by Universities in the UK through their career services webpages. It is part of a wider project that seeks to understand the role of careers services inside academia. With a combination of Critical Discourse Analysis methods and Corpus Linguistics tools, the analysis focuses on identifying, interpreting, explaining and evaluating (Baker and McEnery, 2015, pp. 2-3) the ‘reality’ presented by these services as students are expected to ‘invest’ their time at university in getting prepared for the transition from HE to the workplace.

Professor Angela Smith has given a paper at the Ross Priory Broadcast Talk Seminar. The topic of her paper was nakedness in dating shows; in particular Channel 4’s Naked Attraction . This is a show that opens with the assertion that ‘Online dat ing has been a complete nightmare […] with the status symbols we wear getting in the way of finding our perfect mate.’  With full nudity, lingering close-ups and graphic descriptions, many viewers took to Twitter to express dismay that the show had made it to mainstream television, and led to the Guardian referring to it as symptomatic of the dystopian media landscape of 2016. Angela's paper will explore how the shock of graphic nudity is ameliorated by the linguistic strategies of positive politeness that all participants seem to collude with. Such amelioration would appear to be a defence against accusations of voyeuristic and pornographic content on mainstream television.

Dr Sarah Dobbs will be giving a paper at the ' Great Writing Conference 2017 ', to be held at Imperial College, London. She will be exploring three key areas within the filmic representation of Arrival (2016). One, how does the film's fictive space encourage the consideration of the viewers' own motivations in concrete, everyday reality? Two, how do some of the film’s key conceits (such as translating a language and the idea that language may construct identity; the decision to have a child with the knowledge that they will die from a terminal illness) invite our questions about our own perspectives and choices in various aspects of our lives? Finally, if we allow this supposition to stand, how can we be aware of the implications of the constructions of our own fictional narratives and the real-world consequences of these?

At the annual Ross Priory Broadcast Talk Seminar Group (held this year at the Hellenic Army Academy, Athens, Greece) Dr Angela Smith gave a paper on the rise of 'dating shows' on television.  She explored the ways in the conventions of observational documentary have been adapted to engage audiences in a more sympathetic reviewing of participants through her discussion of Channel 4's First Dates .  This show employs a 'diary room' convention from reality TV formats, whilst also engaging in a minimal use of voice-over and absence of the conventional host of such shows.  In this way, Angela argues, we are encouraged to think of the participants as being more authentic and sincere, whilst the hidden formal production markers ensure that there is a perception of a partly mediated, independent reality.  In this way, the audience are not invited to laugh at people in the way the game show format of dating shows encourage, but instead we empathise with them....

Dr Angela Smith was invited to give a paper at the second FoodKom seminar, held at the University of Ljubljana, Slovenia, on 16-18 June.  Her paper, 'Cooking to be Happy: Simply Nigella and the rise of mindful cooking', explored how the current trend in self-help therapy glossed as 'mindfulness' has recently extended to cookery programmes.  Through an exploration of Nigella Lawson's cookery series in the UK (BBC November/December 2015) and its associated cookery book, Angela suggests that mindfulness is actually central to this show rather than its more peripheral place in others, and that this is part of a growing trend for such self-help psychology.  

  PhD student Maria Fotiadou has given a paper at an interdisciplinary symposium in the humanities and social sciences organized by the Newcastle Critical Discourse Group and held at Newcastle University (18th May 2016). Her talk, entitled 'Careers advisers' expert roles in UK university websites', examined a corpus consisting of approximately 2.6 million words from 58 UK Universities' Careers and Employability webpages. Her analysis looked at collocations of the keyword 'careers', then considered personal and impersonal self-representation as revealed in high-frequency phraseological patterns.

Patrick Low History PhD student Patrick Low will be giving a talk at a one-day conference to be held at Durham University on Saturday 12th March 2016 . The conference focuses on Victorian culture's creation, maintenance and promulgation of disciplines, covering the period of the long nineteenth century. Patrick's talk is entitled 'Dying in Private and the Death of Public Discipline: Execution in the North East, 1868-1878'. The full programme is here .

Dr Angela Smith has recently returned from a trip to Sweden where she was invited to give a paper at Örebro University's Media and Communication research symposium.  The paper, based on a chapter in her forthcoming book, Belligerent Broadcasting ( co-authored with Michael Higgins), dealt with the phenomenon of argument as entertainment in the form of banter as found on shows such as Top Gear , Never Mind the Buzzcocks , and many other comedy-quiz formats.  Angela suggested that the particular form of banter found in such shows is primarily masculine in character.

In July, PhD student Maria Fotiadou attended the 8th International Corpus Linguistics Conference ( CL2015 ) at Lancaster University. She gave a poster presentation entitled 'Have you developed your entrepreneurial skills? Looking back to the development of a skills-oriented Higher Education.' You can read the poster abstract here .

Dr David Fallon recently gave a paper at Romantic Imprints - the British Association of Romantic Studies conference in Cardiff (July 16th-19th). 'Gillray, the Phallic Earl, and the Public Meanings of a 1790s Imprint' discussed James Gillray's caricature  Sandwich-Carrots!­—dainty Sandwich-Carrots (3rd December 1796), which lampooned John Montagu, the Fourth Earl of Sandwich. The paper argues that the presence of Robert Faulder's bookshop in the background of the caricature is actually central to the caricature's message.

Dr Angela Smith will be presenting a paper at the 2015 Ross Priory Broadcast Talk Group's annual seminar to be held on the banks of Loch Lomond, 6-9th July. Her subject is how social media is used to create a sense of co-presence and community amongst viewers of the BBC1 show, Strictly Come Dancing , in both the BBC's official social media feeds and in the Guardian ’s dedicated blog. In so doing, she will revisit Livingstone and Lunt’s (1994) assessment of the privileging of ‘lay’ over ‘expert’ in public participation shows, as well as the creation online of a sense of co-present liveness that underpins more conventional aspects of broadcast sociability (Scannell, 1991).

Dr Mike Pearce has been invited to speak at 'The North and Northness: Ideas of Place, Locatedness and Regions.' This half-day event organized by the Cultural Significance of Place (CSoP) interdisciplinary research group at Newcastle University, takes place on Friday 29th May 2015 . Mike's paper is entitled 'Anyone from the north east who says 'Mum' should be shot'.  The event will explore varying understandings of the North, as constructed and applied over a range of disciplines, and consider the role ‘Northness’ has played in the evolution of ideas of place, locatedness and regions. Further details can be found here .

Dr Angela Smith has attended a symposium at the University of Macau called 'News discourse in the digital age: dominant, residual and emerging norms of discourse practice'. Academics form all over the world were invited to speak there, and Angela's paper - 'Waving pens and windswept correspondents: live two-ways in broadcast news' - drew on the Kate Adie Collection at Sunderland University to explore how the early impact of digital technology led to innovations in the linguistic and visual features of such reports.