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Orientalism

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Dr Geoff Nash has had an article published on 'Orientalism' in The Encyclopedia of Empire (John Wiley, 2016). Geoff shows how the term is first used in the late 18th century to refer to scholarly study of the East and a style in the arts. In the same period the British East India Company was expanding its control of the Indian subcontinent, while in Islamic domains Napoleon's expedition to Egypt of 1798 was followed by French colonization of Algeria beginning in 1830. The British decision to demote Eastern languages and culture in India in favor of education in Western knowledge signaled the emergence of an imperialistic sense of Western superiority. As orientalism became institutionalized in Europe, it contributed to imperialist governance in the East. However, the extent to which orientalists individually and collectively were responsible for buttressing imperialist ideology was not fully debated until the publication of Edward Said's Orientalism in 1978. Click here ...
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The language of European food labelling regulations

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Professor Angela Smith recently attended the 4th FoodKom Seminar at Queen Margaret University, Edinburgh.   Her paper, 'Tiny Print and Traffic Light Chaos', looked at how European food labelling regulations are applied in the British context to front of packaging.   Angela showed how the non-mandatory nature of the system has led to potentially confusing food labelling, exploring the semiotic properties of the packaging.   She concluded that the lack of standardisation and the non-mandatory nature of the system is often unhelpful and even confusing (particularly to those of declining eye sight), but that it could nevertheless be of use to the knowing consumer and so is of limited help.
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Landscapes of evil

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Dr Miguel Gomes (Languages) has published a chapter entitled 'Landscapes of Evil and the Narrative Pattern in Beowulf: The Anglo-Saxon Hero’s Journey through the Labyrinth'. Miguel uses the idea of labyrinth as a symbolic landscape to explain the structure of  Beowulf . He argues that the poem presents an intricate design in which elements such as alliterative patterns, repetitions, variations, recurrent themes and other additions form a maze resembling the journey that the hero himself will have to undertake. To a certain extent, this structure resembles the curvilinear and rectilinear patterns of contemporary decorative art, as seen in the Lindisfarne Gospels or the Book of Kells. Miguel claims that the labyrinth, conceived as a metaphor, a physical and a mental representation, could well be a more comprehensive alternative to previous proposals for the analysis of the poem. He supports this assertion by analysing different passages that connect with the idea of labyrinth, c...
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